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Legendary Village Voice journalist Robert Christgau even admitted \"language wasn't designed for the job\" of conveying what many critics and artists believe to be the ultimate rock 'n' roll statement. Sourced from the original master tapes and housed in mini-LPstyle gatefold packaging, Mobile Fidelity's hybrid SACD plays with enhanced definition, stellar clarity, and realistic ambience. The livein-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci's esteemed production emerge with gripping presence, body, and power. Witness the unrelenting sense of groove; the sheer impact of the rhythms; the ferocity of Pop's heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension. The Stooges' most controlled and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb to which Christgau thought of comparing it. 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The 17 LP set features the \"\"complete score\"\" to all five seasons of the hit show featuring music by Kyle Dixon \u0026amp; Michael Stein who won the Emmy Award for their main title theme in 2017. The box set featuring all the score albums, which are pressed on \"\"Vecna's Gate Vinyl\"\" (Red and Orange colored vinyl), with gatefold jackets and full color inner sleeves, will be released on October 30 and is now available for pre-order on Amazon. The label has previously released the score albums for Season 1, Season 2, Season 3, Season 4 \u0026amp; Season 5, as well as the composers' bonus album, Halloween Sounds from the Upside Down, digitally and on vinyl. The albums for Seasons 1-4 are also available on CD. 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Conceived and written by guitarist Pete Townshend, Tommy tells the surreal story of a \"\"deaf, dumb and blind\"\" boy who becomes a spiritual and cultural phenomenon. But beyond the narrative, the album is a tour de force of songwriting and performance, packed with iconic tracks like \"\"Pinball Wizard,\"\" \"\"I'm Free,\"\" and the transcendent finale \"\"We're Not Gonna Take It\/See Me, Feel Me\"\" that remains cornerstones of The Who's live performances. More than half a century later, Tommy remains one of rock's most celebrated and influential works. For fans of classic rock, it's essential listening. For audiophiles, it's a landmark recording worthy of the very best playback format available. Now, for the first time ever, Tommy receives the Ultra High Quality Record (UHQR) treatment from Acoustic Sounds. Pressed on 200-gram Clarity Vinyl at Quality Record Pressings, this UHQR edition is designed to reveal every nuance of the album's dynamic soundscape. Clarity Vinyl's translucent, carbon-free formulation dramatically reduces background noise, allowing the music's full detail and impact to emerge from a jet-black background. The result is greater transparency, deeper dynamics, and a level of realism that brings listeners closer to the original master recording than ever before. From the explosive power of Keith Moon's drums to the thunderous drive of John Entwistle's bass, the shimmering acoustic passages, and Roger Daltrey's commanding vocals, this UHQR pressing let's Tommy breathe in a way few versions ever have. Why UHQR vinyl? Craftsmanship: Analogue Productions' UHQR editions are crafted with the utmost precision and care, ensuring each note is faithfully reproduced with unparalleled clarity and warmth. Four glorious sides of 200-gram Clarity Vinyl from Quality Record Pressings, the world's best pressing plant. 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What unfolded musically was an ambitious and emotive journey, with tracks like \"\"Fish Bowl Man,\"\" \"\"Julia,\"\" and \"\"She's Gone Away\"\" serving as standout moments of depth and experimentation. Ty Tabor's guitar solo on \"\"She's Gone Away\"\" is often hailed as one of the greatest of his career-recorded in a single take, raw and perfect. Jerry Gaskill's contributions as a lyricist and vocalist are more prominent here than ever before, adding layers of poetic nuance to the album's texture. Doug Pinnick's signature soulful presence anchors the record with undeniable heart and groove.What once may have seemed like a left turn for the band has aged into a fan-favorite classic. Even those who didn't immediately connect with Mr. Bulbous upon it's release now celebrate it's lasting impact and layered brilliance. 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Following the underground momentum of Hymns, Apostle returned with a bold mission to reimagine and elevate their sound, resulting in a tighter, more focused, and more powerful statement of U.S. neo-classical heavy metal driven by the vision and talent of Matt Harding. There is history woven into this release: some early cassette versions circulated under the name Apostle, and at one point the project was intended to be released as Tone Zone in 1987, but over time the recordings found their identity as Metal For the Master, a title that better reflects the album's intensity, purpose, and conviction. Recorded in Chicago at Tone Zone Studios, the home base of Rez Band, and produced by Glenn Kaiser with engineering by Roger Heiss, the album represents a unique convergence of artistry and influence, giving Apostle the platform to re-record key material with greater clarity, precision, and intensity. From the driving force of \"\"Overcomer\"\" and \"\"Conquerors\"\" to the anthemic power of \"\"King of Kings\"\" and \"\"Holy Soldier,\"\" the album delivers a confident, sharpened sound that pushes beyond the raw energy of earlier recordings, with tighter musicianship, more deliberate arrangements, and undeniable impact. Instrumental pieces like \"\"Parting the Red Sea\"\" and \"\"Armageddon\"\" further highlight the band's technical prowess and neo-classical edge, placing Apostle alongside elite players in the genre. Long respected by those who discovered them through compilations like East Coast Metal and White Metal Invasion, Apostle remained one of the great \"\"if you know, you know\"\" bands of the era, and this release changes that. For the first time ever, Metal For the Master arrives on vinyl, pressed on striking turquoise wax as a perfect visual match for the album's bold and refined sound. Part of the Metal Icon Series, this edition has been remastered by Rob Colwell to bring new depth and clarity while preserving the album's original character, and the package includes a 12x12 full-size lyrics insert, Apostle history, and a new write-up that frames the importance of this release within the band's legacy. Visually, the album is reborn with all-new artwork reimagined by NLTM's Scott Waters, giving this classic a fresh and powerful presentation worthy of it's sound. Limited to just 200 copies worldwide, this is a true collector's piece and the definitive vinyl version of one of Apostle's most focused and musically accomplished releases. 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Released in 1996, the album arrived before the genre exploded into the mainstream and helped establish Stuck Mojo as one of it's earliest innovators. Combining crushing groove metal riffs, hardcore aggression, and rhythmic vocal delivery, the band forged a sound that was both groundbreaking and unmistakably heavy.Produced by Devin Townsend, Pigwalk captures Stuck Mojo at a creative peak. Tracks such as \"\"(Here Comes) The Monster,\"\" \"\"Mental Melt Down,\"\" and \"\"Only The Strong Survive\"\" showcase the band's ability to balance power, groove, attitude, and memorable songwriting without sacrificing intensity. The album helped bridge the gap between traditional groove metal and the rap-metal movement that would dominate heavy music in the years that followed.Over the past three decades, Pigwalk has earned it's reputation as a cult classic and a cornerstone release for fans of aggressive, forward-thinking metal. It's influence can be heard throughout generations of bands that embraced the fusion of heavy riffs, rhythmic vocals, and crossover energy. Few albums from the era have maintained their relevance and impact as successfully as Pigwalk.This 30th Anniversary Edition from Brutal Planet Records and Limited Run Vinyl marks the first time Pigwalk has ever been pressed on vinyl in the United States. Officially licensed from Century Media Records, the release is pressed on Emerald Green Swirl vinyl and includes a full-size 12\"\" x 12\"\" insert. 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Apostle's Metal For the Master (1989) is one of those albums. Originally recorded in Chicago at Tone Zone Studios, the home base of Rez Band, these sessions capture a pivotal moment for Apostle as the band worked under producer Glenn Kaiser and engineer Roger Heiss to re-record and refine their strongest material with greater precision, clarity, and power. The result is a sharper, more focused expression of Apostle's signature sound: elite U.S. neo-classical heavy metal driven by the talent and vision of Matt Harding. There is history woven into this release, as some early cassette versions circulated under the name Apostle, and at one point the project was intended to be released as Tone Zone in 1987, but over time the recordings found their identity as Metal For the Master, a title that better reflects the album's intensity, purpose, and conviction. From the driving force of \"\"Overcomer\"\" and \"\"Conquerors\"\" to the anthemic strength of \"\"King of Kings\"\" and \"\"Holy Soldier,\"\" Apostle presents a confident, refined sound that builds on their earlier work while pushing forward with greater intent, while instrumental standouts like \"\"Parting the Red Sea\"\" and \"\"Armageddon\"\" highlight the band's technical edge and neo-classical influence. Known to dedicated fans through landmark compilations like East Coast Metal and White Metal Invasion, Apostle remained one of the era's most respected underground bands, and Metal For the Master stands as one of their most complete and musically accomplished statements. Now receiving it's first proper CD release as part of the Metal Icon Series, this definitive edition has been remastered by Rob Colwell to bring renewed clarity and punch while preserving the original character of the recordings. Housed in a jewel case with a 12-page booklet, the release includes lyrics, Apostle history, rare band photos, and a new write-up telling the full story behind this important album, with all-new artwork reimagined by NLTM's Scott Waters. 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As with the first album, there was a changing of the drum-guard in the 11th hour, with the fateful arrival of Matthias Bossi. Matthias helped to compose a single of sorts for the record, 'Phthisis,' which alone was produced at an incredible recording-compound in the Hollywood hills by Scott Humphrey, adding overdubs on a guitar owned by Mötley Crüe. The wild terraces of lush overgrowth which rose steeply behind the walled compound offered a perfect counterpoint to the seething city below, and an ideal place between places for the slow and dizzying contemplation of natural history.This first domestic vinyl release (at last!), on AVANT NIGHT and Joyful Noise Recordings, has been completely remastered by the Museum's bassist and producer, Dan Rathbun, and is accompanied by the release of the 1st and 3rd of their classic albums. 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Perfecth arrives at a moment of hard-won clarity for the band. The record’s nine songs map different forms of love: of family, friends, and others. The loves that break you and the loves that bring you back. The music is fearless and boundless, moody and menacing, gentle and strange. “Insignificant Other” is the album’s centerpiece – sprawling, loose, and supernatural. “Mono” captures the headspinning feeling of heartbreak with a mix that slips seamlessly from mono to stereo and from claustrophobia to widescreen orchestral grandeur. The band remains enduringly, singularly magnetic. 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The new live line-up, which broke ground on the European tour of 2025 and tours the U.S. this spring\/summer, completes the historical family circle with the drum throne being filled by Wes Anderson, who played with both Idiot Flesh and Charming Hostess.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Companions\u003c\/li\u003e\n\u003cli\u003eHelpless Corpses Enactment\u003c\/li\u003e\n\u003cli\u003ePuppet Show\u003c\/li\u003e\n\u003cli\u003eFormicary\u003c\/li\u003e\n\u003cli\u003eAngle Of Repose\u003c\/li\u003e\n\u003cli\u003eOssuary\u003c\/li\u003e\n\u003cli\u003eThe Salt Crown\u003c\/li\u003e\n\u003cli\u003eThe Only Dance\u003c\/li\u003e\n\u003cli\u003eThe Greenless Wreath\u003c\/li\u003e\n\u003cli\u003eThe Widening Eye\u003c\/li\u003e\n\u003cli\u003eThe Putrid Refrain\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602309901042\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Joyful Noise Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Joyful Noise Records","offers":[{"title":"Default Title","offer_id":52518342295783,"sku":"370777176","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4538429-3701722.jpg?v=1787673498"},{"product_id":"queens-of-the-stone-age-perfecth-cd","title":"Queens Of The Stone Age - Perfecth [CD]","description":"\u003cp\u003eComing October 30th: Queens of the Stone Age’s ninth album, Perfecth, available on standard black vinyl, CD, and as a limited transparent vinyl edition exclusive to participating independent retailers. 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With 2000 looming, the band formed around a collective commitment to personal celebrations of the apocalypse, to be shared in the most inviting way with the broadest possible listenership. Their prior experience together, of moving through and\/or baiting audiences in Idiot Flesh and Charming Hostess in the 90's, shaped their approach to the stage as a living theater, with a rehearsed precision of apparent chaos giving way to moments of actual chaos brought in on the shoes of the nightly audience. This first domestic vinyl release (at last!), on AVANT NIGHT and Joyful Noise Recordings, has been completely remastered by the Museum's bassist and producer, Dan Rathbun, and is accompanied by the release of the 2nd and 3rd of their classic albums. The new live line-up, which broke ground on the European tour of 2025 and tours the U.S. this spring\/summer, completes the historical family circle with the drum throne being filled by Wes Anderson, who played with both Idiot Flesh and Charming Hostess. 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