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While sinking deeper into the daily abyss of our collective negativity bias, William Basinski stumbled upon a video describing the spiritual hypnotherapy exercise known as \"\"passing the cup of sorrows.\"\" Fixed on the glow of a screen that projected mounting anxiety and cynicism at a seemingly interminable pace, Basinski found the testimonials of this fascinating therapeutic practice to be profoundly moving. He sat at his piano, translating the transformation of those traumatic memories of past lives into cathartic tears of the present day. Channeling the quiet curiosity and asymmetrical patterns of pioneering 20th Century composer, Morton Feldman, Passing the Cup of Sorrows is a single 40-minute piece that employs a solitary piano and subtle electronics to truly haunting effect. 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It is therefore hardly surprising that the traumatic medical crisis which DOMKRAFT guitarist Martin Widholm faced in 2025 has found an echo on the Swedes' fifth album \"Night Songs\". The album title partly stems from the Swedes' experiences during the past year but also crosses into the broad idea of darkness versus light. This can mean personal hardships, the present state of the world, or the concept of actual night itself. The night may turn into a time of regret, solitude and insomnia, but also into the opposite, as a calm phase of relief, relaxation, and even debauchery. All of this happens at night. And just maybe, these \"Night Songs\" could primarily deal with resilience. DOMKRAFT sprung into being when singer and bass player Martin Wegeland, guitarist Martin Widholm, and drummer Anders Dahlgren realised that they had firmly bonded over a mutual love of bands such as SPACEMEN 3, MONSTER MAGNET, SLEEP, and HAWKWIND. DOMKRAFT's monolithic 2016 debut album, \"The End of Electricity\", drew equally from the heaviness, psychedelia, and hypnotic minimalism of their influences. \"Night Songs\" was recorded at the renowned Studio Gröndahl in Stockholm by David Castillo (OPETH, CANDLEMASS, KATATONIA et al.). Karl Daniel Lidén (GREENLEAF, LOWRIDER, BREACH) was asked to maintain DOMKRAFT's sonic identity by again mixing and mastering the album. \"Night Songs\" should be enjoyed like a feverish, dream-like cocktail that is expertly mixed from equal parts deafening quiet and soothing loud noises, then sprinkled with insomnia, relief, contemplation, and a dash of red-hot anger for raw spice. Tracklist: 1. Unnamed 2. Lights On 3. Aurora 4. Void Runner 5. Eclipse (Outlast the Night) 6. Dead Rocket 7. 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Most of that had to do with the descent of the band's mastermind, Blake Judd, into a hard addiction to heroin that had started to grow years earlier out of opioid prescription and general drug abuse. And while the black metal scene has been quite forgiving of murder, arson, political extremism, and other crimes (after time was served and the culprits rehabilitated), being ill and an addict seems unforgivable to some. This led to \"The World We Left Behind\" being harshly judged for anything but it's musical value and the album ending up in some kind of critical black hole. Blake has called this album \"a final death-cry from the 'Black Meddle' era and line-up\", which is quite an accurate description. New additions to the musical legacy of that glorious era are glimpses into the chaos behind the scenes, the inner darkness that held the band in it's grip, and a brutal lyrical honesty. These elements fit the black metal genre only too well. It is about time to return to \"The World We Left Behind\" and for an honest re-evaluation based on it's many musical merits that can hardly be disputed. Tracklist: 1. Intrusion 2. Fireheart 3. Voyager 4. Into The Endless Abyss 5. In The Absence Of Existence 6. The World We Left Behind 7. Tear You Down 8. On The Other Side 9. 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Choosing to write the album together in the studio rather than bringing in pre-written demos, the band created a spontaneous, groove-heavy, and sonically adventurous collection of songs that challenge expectations while staying true to their signature sound.The album opener \"Believe\" kicks things off with a deep-pocket groove and Doug Pinnick's introspective lyrics on self-acceptance, setting the tone for an album brimming with rhythmic complexity and layered harmonies. The slamming bass line and hard-rock crunch of \"Vegetable\" make it an instant King's X classic, while \"Skeptical Winds\" dives into soulful, R\u0026amp;B-infused rock territory. Experimental moments like the dark, ambient textures of \"Static\" contrast with the lush harmonies and melodic richness of \"Jenna\" and \"False Alarm\", proving once again that King's X is a band that refuses to be pigeonholed.Following it's initial release, King's X toured Manic Moonlight with Joe Satriani and Dream Theater, further cementing their reputation as one of rock's most revered yet underrated power trios. The band was even ranked #83 on VH1's 100 Greatest Artists of Hard Rock Countdown, a testament to their lasting influence.Now, Brutal Planet Records presents the ultimate vinyl edition of Manic Moonlight, featuring the first-ever 2-LP gatefold release with full lyrics and rare band photos. 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