{"title":"Country-Vinyl","description":"","products":[{"product_id":"pre-order-barry-walker-jr-paleo-sol-colored-vinyl-red-indie-exclusive-download-included","title":"Barry Walker  Jr - Paleo Sol [Colored Vinyl] (Red) [Indie Exclusive] [Download Included]","description":"\u003cp\u003eBarry Walker Jr. Is a pedal steel guitarist whose technical prowess is rooted in traditional forms and whose compositions push into entirely new frontiers. Rooted in country and folk traditions, his playing explores minimalism, ambient and spiritual music. The Portland-based instrumentalist's playing is in high demand: in addition to his six solo records recorded under various monikers and collaborative projects Mouth Painter and North Americans, Walker has appeared on dozens of records and performed live with fellow Portlander Marisa Anderson and the late Michael Hurley. - Paleo Sol was composed during a monumental shift in Walker's own life as he and his wife, Valerie, welcomed their first child. The compositions are informed by those early nights, aiming for more serene, gentle passages and taking inspiration from lullabies, twilight, and new life blossoming, like the elves of Cuiviénen, despite what came after. Walker, a geologist, named the album in part after rocks called paleosols, which are ancient soils that are variably rusted and leached of their original components, plentiful in the John Day and Clarno Formations Walker has studied for years. The name takes on a dual meaning that reaches for an even deeper history, that of the ancient sun (the sun that broke apart the ancient water vapor, the sun that bore down on the Eohippus, the sun that brightens the tail of the comet, the sun that will be recycled billions of years hence). Walker's approach to interrogating the earth and it's shifts runs parallel to his approach to music: \"The possibilities and uncertainty of pedal steel guitar often disorient me as a player and as a listener. 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The set features a chronology of Chenier's landmark work with Arhoolie and other labels, alongside a healthy dose of previously unissued gems. The 160-page book includes photos, posters, and other graphic artifacts from the Strachwitz Collection and deeply researched liner note essays by Grammy award-winning writer Adam Machado, public folklorist and radio host Nick Spitzer and longtime Louisiana journalist Herman Fusilier, along with a moving personal remembrance by Clifton's son, Zydeco musician C.J. Chenier. The set is the first release on Arhoolie since the label became a part of Smithsonian Folkways. 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Walker, a geologist, named the album in part after rocks called paleosols, which are ancient soils that are variably rusted and leached of their original components, plentiful in the John Day and Clarno Formations Walker has studied for years. The name takes on a dual meaning that reaches for an even deeper history, that of the ancient sun (the sun that broke apart the ancient water vapor, the sun that bore down on the Eohippus, the sun that brightens the tail of the comet, the sun that will be recycled billions of years hence). Walker's approach to interrogating the earth and it's shifts runs parallel to his approach to music: \"The possibilities and uncertainty of pedal steel guitar often disorient me as a player and as a listener. The same is true for scientific exploration. 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The album, featuring 'I Walk The Line, ' 'Cry, Cry, Cry, ' and 'Folsom Prison Blues, ' has been given the ultimate treatment for this 180-gram, 45 RPM mono release, featuring audio from original master tapes mastered to vinyl in an all-analog process, plus restored artwork featuring new liner notes. 'I never imagined that I'd hear the iconic voice of Johnny Cash on Intervention Records! ' said Shane Buettner, Intervention Records' founder. 'And I don't think music fans around the world have ever heard Johnny's voice, or Sam Phillips' famous Sun Studio sound, as clearly and definitively as they will on this new 45 RPM mono cut. This is as close you can get to a time machine back to Memphis in the 1950s! 'Originally issued in the fall of 1957-the first long-player for Sam Phillips' Sun Records-Johnny Cash with His Hot and Blue Guitar! Showcases the stripped-down sound that would make the future Man in Black one of the most enduring and respected musicians of the 20th century. 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