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The album features a world-class ensemble, including Alison Balsom (trumpet), Stile Antico (choir), Seth Lakeman, Clara Sanabras, John Smith, Olov Johansson, Simone Collavechi, Deirdre O'Leary, Mel Mercier, John Hearne, and Ethan Johns himself. Drawing on 17th-18th century Wexford carol traditions and blending early music, folk, and classical styles, Strange Wonders illuminates familiar moments of the Christmas story alongside rarely sung carols to saints of the Twelve Days. 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Produced by four-time Grammy winner Joe Henry, the album presents Ireland's greatest Christmas music-much of it recorded for the very first time-through a magical blend of traditional Irish, Americana, Blues, and Gospel. With lyrics by Luke Waddinge and William Devereux set to popular 17th- and 18th-century tunes, these musically sublime, spiritually rich, and emotionally powerful carols offer listeners a fresh and compelling way to experience the story of Christmas.Reaching number one on both the Billboard and Amazon charts, The Wexford Carols stars celebrated Irish singer Caitriona O'Leary alongside Grammy winners Sir Tom Jones, Rosanne Cash, and Rhiannon Giddens, backed by an all-star band. Produced by four-time Grammy winner Joe Henry, the album presents Ireland's greatest Christmas music-much of it recorded for the very first time-through a magical blend of traditional Irish, Americana, Blues, and Gospel. 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His 2022 debut Guard Dog was written, recorded and self-produced in Duckart’s Portland home and independently released with little expectation as to how it would be received. 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The first single, End Of It All, out September 18th, offers a first glimpse at the stunning progression of her sound, fusing her signature storytelling with bold new sonic textures to create a track that is as urgent as it is unforgettable.The critical success of her debut, Notes For A Maiden Warrior (2021), garnered Folk Award and NI Music Prize nominations and led Larkin to tour with Snow Patrol, Lisa O'Neill, Glen Hansard, Lisa Hannigan, Rufus Wainwright and Ye Vagabonds as well as collaborations with the Ulster Orchestra and RTÉ Concert Orchestra. Next Of Kin, co-produced with Ruth O'Mahony Brady (Sam Smith, Feist, Gorillaz, The Frames), is an ambitious and deeply emotive body of work. A sonic and lyrical exploration of life's most universal milestones - from the innocence of birth to the acceptance of life's end.Anchored by Larkin's striking vocals, the album moves through a trilogy-like structure:Part I journeys from darkness to coming-of-age revelations, including the spirited track David. Part II dives into adulthood's complexity - love, fear, beauty, courage, doubt, hope - with expansive orchestral arrangements and delicate storytelling. 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A marvel of interwoven musicianship and testament to the duo's singular camaraderie, the album encapsulates the two veteran guitarist-songwriters' mutual admiration and effortless compatibility as they swap and share nine new songs of dazzling dexterity and grace recorded almost entirely on acoustic guitars. Though their initial objective had been all instrumental, the natural flow of the sessions led the duo to begin incorporating vocal tracks. Stark yet intricately arranged songs such as the cinematic tracks \"Nevermind\" and \"Flying Things\" (featuring additional vocals from GRAMMYr Award-nominated singing siblings The Secret Sisters), and an incandescent version of Neil Young's \"Sail Away\" are rich with dazzling dexterity and grace, Ramsey's nimble fingerstyle picking and Broemel's classically trained virtuosity aligning to create a predominantly instrumental song cycle of rustic beauty and atmospheric power. 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Also a vivid poet and accomplished painter, she brings a multidisciplinary richness to her work that shines throughout her 9th studio album, Valentine. Valentine is Andrews’s most sonically explorative record – she plays flute, high strung guitars, myriad synths, and draws heavy inspiration from her art outside of music. Co-produced with Jerry Bernhardt and recorded almost entirely to tape, the album features complete in-studio performances that prize raw performance rather than perfection. Andrews’s voice is gorgeous and acrobatic always, but on Valentine it finds a new depth, an assertiveness that brings new dimension to its biggest anthems and its softest moments.\u003c\/p\u003e\u003cp\u003eWritten during a period of profound endings and new beginnings, the record is an honest exploration of love vs. limerence. While anticipating the imminent loss of a loved one who would eventually recover, a new but uncertain romance began to develop. 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Throughout, a strong sense of home prevails, both their own hard-won digs, past and present, and an inner refuge for anyone longing for connection beyond time and geography.Rising from the ashes of the 2008 economic collapse, the Mac Gloinn brothers - Brian and Diarmuid - first performed in the streets together as buskers. They took on the moniker Ye Vagabonds while creating now-legendary music nights and community-building events in their native Carlow, and later in Dublin. While initially achieving renown as purveyors of traditional music mixed with folk-based originals, the Mac Gloinns have increasingly focused on honing their own material.Ye Vagabonds have since evolved into a robust collective - a sonically unique ensemble featuring layered acoustic and electric guitars, trumpet, upright bass, Moog synthesizer, harmonium, bouzouki, fiddle, and the blood harmony of the siblings' distinctive, multi-hued voices. All Tied Together was recorded almost entirely live in an old Galway house, with acclaimed producer Philip Weinrobe (Big Thief, Adrienne Lenker) at the helm. The dynamic arrangements are credited to a group of (up to ten) musicians. No one wore headphones. The brothers also cite fiction writers George Saunders and Claire Keegan as particular inspirations.In All Tied Together, Ye Vagabonds render the unavoidable things in life as a cause for singing. 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Born in 1933, she sang with her mother and sisters from an early age, and was always destined for a career in music with the family having unique connections within the industry. She did her first sessions in 1949 with Maybelle, Helen and June in 1949 as part of the New Carter Family, and a year later recorded her first solo session for RCA as a solo artist, with future Elvis Presley producer Steve Sholes in charge of the session. This 58-track 2-CD collection comprises the A and B sides of her singles on the RCA-Victor, Columbia, Cadence, Jamie \u0026amp; Mercury labels from these years, including duet releases with Hank Snow, plus the tracks from the RCA album \"Together Again With Hank Snow\" and most of the tracks from the Mercury album \"Sings Folk Songs Old And New\". It includes her Top 5 hits with Hank Snow \"Down The Trail of Achin' Hearts\" and \"Bluebird Island\". It also features her original version of \"Love's Ring Of Fire\", which became a hit for Johnny Cash. 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With their fifth full-length \"Acou\", Moon Far Away embark on a musical exploration of the magical nature of sound. The band from the sub-arctic city of Arkhangelsk in Russia's north is studying the mythological cycle of the universe by assigning certain sounds and musical styles that range from the archaic and folklore to liturgical, classical, and even experimental music to each stage of it's existence. Moon Far Away were inspired by the finding that the world begins and ends in many ancient legends with a sound - from the utterance of a word to actual music or even the big bang of science. On \"Acou\", which means 'listen!' in Greek, the word (lógos) and music (mousike) are as fundamental to the fabric of the universe as the classical elements of earth, fire, water, and air. Moon Far Away have occasionally been referred to as \"the heart of Russian gothic folk\" or \"The Russian Dead Can Dance\", which are notions that still ring true regarding \"Acou\". Their music appears to be both light and even dreamy on the surface, yet at the same time it comes with a dignity, gravitas and passionate seriousness that set these songs apart from simple pop; despite sounding captivating and melodic. With \"Acou\", Moon Far Away present their richest and most complete album so far that will find old and new friends from a wide range of stylistic preferences that certainly include fans of DEAD CAN DANCE, ALCEST, WARDRUNA, and many others - although the unique band from Russia's North does sound different from all of those mentioned above. There is only one way to find out: \"Acou\"! 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Inspired by the long tradition of radical country and folk artists, longtime friends Sally Buice and Molly Rochelson use their passion for literature and storytelling to craft an album that reckons with the current global fever pitch. The album's 12 introspective, thematically and sonically layered tracks chart a transformative pilgrimage through an inextricably connected world. A woman desperate to save her community from a gas pipeline in \"Plains of Ohio,\" a devout grandmother traveling across the world to Yugoslavia in search of the Virgin Mary in \"Our Lady,\" and a trouble-making Bible College misfit in \"Loud and Clear\" are just a few of the archetypes listeners meet. The Cincinnati-based duo cut their teeth as teens busking on Market Square in Knoxville, TN. Produced by Eli LoPinto (Chris Stapleton), the duo opted for a bigger sound and the result is a bonafide, left-of-center indie country record. 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The album's recurrent themes of personal growth and renewal, of love's perseverance through difficulty and shame and awkwardness, are rooted there. \"That experience has pulled me out of myself and given me a different outlook on things,\" she says. \"The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out.\" Hurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe's Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound's El Kempner, Lake Street Dive's Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album. The fruits of this process are immediately apparent on lead single \"Hurts Like Hell,\" a country-saturated yearner Cornfield calls \"a shy people love story,\" the band swelling to embrace Cornfield's idiosyncratic flow as if to cradle her protagonist's heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call. Much of Hurts Like Hell's magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it's a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On \"Kitchen,\" Friedman mirrors Cornfield's sense of astonishment at finding herself in love, rendering the emotion at it's ethereal peak. 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