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Doug had aspecial ability to voice chords, and in my opinion, there was abeauty in his soloing that only very few possess.\"The session was the culmination of a brief Danish tour andshowcases Raney's wide-ranging repertoire, from the burningdrive of John Coltrane's Giant Steps to the aching beauty of I'mOld Fashioned and a soulful take on Nat Adderley's title track.Raney's melodic instinct, rhythmic command, and harmonicdepth shine throughout, with dynamic support from Besiakov, Lundgaard, and Uotila.Despite his remarkable talent, Doug Raney remains a somewhatoverlooked figure in modern jazz. 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He cast off his old skin, fundamentally altering his studies, homeland, and life, thereby charting a new future. Recorded at Sound on Sound Studios in Montclair, New Jersey, in January, 2024, 'Ancestral' was influenced, in part, by O'Gallagher's PhD studies into the music of John Coltrane, and reunites the versatile reeds player with guitarist Ben Monderwhile, notably, features the first-ever recorded collaboration between master drummers Andrew Cyrille and Billy Hart.\"Basically, my PhD (available on O'Gallagher's website) is an analysis where I transcribed all of Trane's solos, spelling out what he does on his late recordings 'Interstellar Space' and 'Stellar Regions'. And it shows that free music is not free, not the way people think it is. Trane was definitely thinking about organization in those records. This research definitely gave me ideas about how to be freer within the systems that I had developed, and how to perceive them in a more organic way.\"O'Gallagher's latest recording marks a significant artistic evolution, following a period of considerable personal change. After leaving Brooklyn, New York, he and his wife relocated to the UK before ultimately settling in Lisbon, Portugal. This journey, coupled with dedicated study, profoundly shaped his new music.In an album consisting largely of first takes, O'Gallagher's compositions vary from through-composed pieces to skeletal charts to full-blown group compositions\/ improvisations.A1. AwakeningA2. Under the WireA3. ContactA4. TugB1. ProfessB2. Altar of the AncestorsB3. QuixoticaB4. 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It is a deeply personal tribute to the late Egyptian composer Fouad Abdel Majeed, whose music shaped her artistic voice from an early age.In this recording, Rima revisits ten of Abdel Majeed's Muwashahat-classical Arabic vocal compositions often set to poetry and marked by intricate rhythms and modes-and places them in dialogue with the colors and sensibilities of French chanson. At first glance, chanson may seem far removed from the Arabic Muwashah, yet both traditions share a deep commitment to poetic expression, lyrical nuance, and the marriage of words and harmony. This cross-cultural resonance became the spark for the ensemble's refined arrangements, created by Maarten Ornstein, Tony Overwater, and Juan Rodriguez.A Living Conversation Between Heritage and the PresentFor Rima, Ya Man Itha is not just a tribute - it is the fulfillment of a promise made thirty years ago. As a young singer of 13, she traveled to Cairo in early 1994 to meet Fouad Abdel Majeed. They spoke of making an album together; he even composed new works for her. But just months later, he passed away, and that dream was never realized.Now, three decades on, Rima returns to his music with rare recordings and cherished memories as her guide. The result is a living, breathing conversation between memory and renewal, past and present.An Ensemble Bound by TrustJoining Rima are musicians with whom she has shared a profound artistic bond for over 25 years: Maarten Ornstein, Tony Overwater, and Joost Lijbaart. Their long collaboration has created a rare musical language rooted in trust, openness, and deep listening.For the first time, they are joined by Juan Rodriguez, whose youthful sensitivity and energy infused the music with new colors. Together, the ensemble recorded the album live, preserving the immediacy of performance and the intimacy of shared breath.The Arrangements - three by Tony, five by Maarten, and two by Juan - reflect the spirit of this project: respectful of tradition, yet unafraid to step into new terrain.With Ya Man Itha, Kepera Records is honored to present an album that embodies timeless heritage while speaking directly to the present moment - a musical promise finally kept\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 0608917472929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Kepera Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Kepera Records","offers":[{"title":"Default Title","offer_id":51632014622951,"sku":"43964953","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4467051-3467373.jpg?v=1765560261"},{"product_id":"pre-order-rez-abbasi-sound-remains-cd","title":"Rez Abbasi - Sound Remains [CD]","description":"\u003cp\u003eTime never stands still for a multifaceted creator like guitarist and composer Rez Abbasi. His ever-evolving musical journey mirrors the changing currents of his life, from personal introspection to broader social landscapes observed from his New York home. A 2021 Guggenheim Fellow, Rez's 17th recording, Sound Remains, marks a return to the warmth and immediacy of the acoustic guitar with his long-standing ensemble, the Rez Abbasi Acoustic Quartet (RAAQ). On this album - the group's third - Rez reunites with vibraphonist Bill Ware, bassist Stephan Crump, and drummer Eric McPherson, whose collective synergy has powered their previous acclaimed albums, Natural Selection and Intents and Purposes. This time, the lineup expands with master percussionist Hasan Bakr, who brings the deep-rooted rhythms of his Gullah-Geechee heritage, adding new layers of texture and interplay.Sound Remains is rich in depth and emotion, a testament to the profound connection between Rez and his band. \"Eric's use of space complements Hasan's rhythmic feel beautifully. Bill's sound on vibes is uniquely his own. And Stephan's presence on bass is commanding. We captured something truly special on this record.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5065014356692\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Whirlwind Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Whirlwind Recordings","offers":[{"title":"Default Title","offer_id":51632019636455,"sku":"44087613","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4467409-3467475.jpg?v=1765560302"},{"product_id":"pre-order-ogallagher-john-ancestral-cd","title":"O'Gallagher, John - Ancestral [CD]","description":"\u003cp\u003e'Ancestral' marks a profound metamorphosis for master saxophonist John O'Gallagher. He cast off his old skin, fundamentally altering his studies, homeland, and life, thereby charting a new future. Recorded at Sound on Sound Studios in Montclair, New Jersey, in January, 2024, 'Ancestral' was influenced, in part, by O'Gallagher's PhD studies into the music of John Coltrane, and reunites the versatile reeds player with guitarist Ben Monderwhile, notably, features the first-ever recorded collaboration between master drummers Andrew Cyrille and Billy Hart.\"Basically, my PhD (available on O'Gallagher's website) is an analysis where I transcribed all of Trane's solos, spelling out what he does on his late recordings 'Interstellar Space' and 'Stellar Regions'. And it shows that free music is not free, not the way people think it is. Trane was definitely thinking about organization in those records. This research definitely gave me ideas about how to be freer within the systems that I had developed, and how to perceive them in a more organic way.\"O'Gallagher's latest recording marks a significant artistic evolution, following a period of considerable personal change. After leaving Brooklyn, New York, he and his wife relocated to the UK before ultimately settling in Lisbon, Portugal. This journey, coupled with dedicated study, profoundly shaped his new music.In an album consisting largely of first takes, O'Gallagher's compositions vary from through-composed pieces to skeletal charts to full-blown group compositions\/ improvisations.1. Awakening2. Under the Wire3. Contact4. Tug5. Profess6. Altar of the Ancestors7. Quixotica8. 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What began as a holiday residency at Chicago's Plugged Nickel Café became the crucible where the Second Great Quintet forged it's identity. Miles, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams delivered a masterclass in risk and invention, dismantling familiar tunes and rebuilding them on the fly. Producer Teo Macero captured every note across seven sets on December 22 and 23, 1965. Portions trickled out in the '70s and '80s, but only in the early '90s did Legacy reveal the full scope across seven and half hours of revelatory music-instantly hailed as one of the greatest live jazz recordings ever and earning the Penguin Jazz Guide's coveted \"Crown.\" Now, 30 years later and six decades after the shows themselves, veteran fans finally get the reissue they've demanded, and new fans get a chance to own one of the most mythologized live engagements in jazz history. This new 8CD edition mirrors the original sequence. Each CD comes in it's own newly designed mini-gatefold jacket, housed in a gold foil-embossed slipcase box. 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Made at Ruth Eckerd Hall in Clearwater, FL in October 2020, they would be the last public concerts Corea ever gave. Not long after these performances, his health suddenly declined, and in February 2021 the world lost one of it's greatest musicians.These recordings stand as both a deeply affecting goodbye and a definitive document of the Chick Corea solo piano experience. The listener is treated to Corea's signature cascading virtuosity, technical command, and harmonic knowledge. Featuring original music (\"Armando's Rhumba,\" a mini-recital of Children's Songs) alongside homages to some of the composers he cherished, like Monk, Powell, and Ellington. The record reflects the generosity and empathy at the core of his music.Throughout the program, Corea's uncut spoken interludes find him introducing tunes and explaining concepts in his affable, familial way, as if chatting with old friends.Mixed and mastered by long time collaborator Birnie Kirsch and presented as a 2 disc LP set in a gatefold sleeve and includes the bonus track \"Pannonica\". With liner notes featuring heartfelt messages from well known admirers like Alicia Keys, Herbie Hancock, Hans Zimmer, Bobby McFerrin, Stanley Clarke, Lang Lang, and more.An essential release, it is a fine and fitting end to an astounding career.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 708857336920\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Candid\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Candid","offers":[{"title":"Default Title","offer_id":51632022618343,"sku":"30383579","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4461538-3456559.jpg?v=1765560351"},{"product_id":"pre-order-sings-the-rodgers-and-hart-song-book-verve-acoustic-sounds-series-lp","title":"Ella Fitzgerald - Sings the Rodgers and Hart Song Book (Verve Acoustic Sounds Series) [LP]","description":"\u003cp\u003eElla Fitzgerald -\"Sings the Rodgers and Hart Song Book (Verve Acoustic Sounds Series)\" The second of her celebrated song book albums and heralded as one of the best vocal jazz albums ever made, Ella and arranger\/conductor Buddy Bregman began work on the Rodgers and Hart sessions three months after the release of her Cole Porter Song Book. Like it's predecessor, it features the cream of West Coast session musicians, many of whom graced the fabulous recordings that Frank Sinatra was making around the same time in the same studio. Maynard Ferguson (trumpet), Milt Bernhart (trombone), Herb Geller, Ted Nash \u0026amp; Bud Shank (reeds), Barney Kessel (guitar), and Alvin Stoller (drums). The album is full of standards that everyone knows and loves, but in Ella's hands these songs become even more special. Standouts include \"There's a Small Hotel,\" \"You Took Advantage of Me,\" and the perennial, \"My Funny Valentine.\" Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180g vinyl in deluxe gatefold packaging.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHave You Met Miss Jones?\u003c\/li\u003e\n\u003cli\u003eYou Took Advantage of Me\u003c\/li\u003e\n\u003cli\u003eA Ship Without a Sail\u003c\/li\u003e\n\u003cli\u003eTo Keep My Love Alive\u003c\/li\u003e\n\u003cli\u003eDancing on the Ceiling\u003c\/li\u003e\n\u003cli\u003eThe Lady Is a Tramp\u003c\/li\u003e\n\u003cli\u003eWith a Song in My Heart\u003c\/li\u003e\n\u003cli\u003eManhattan\u003c\/li\u003e\n\u003cli\u003eJohnny One Note\u003c\/li\u003e\n\u003cli\u003eI Wish I Were in Love Again\u003c\/li\u003e\n\u003cli\u003eSpring Is Here\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind\u003c\/li\u003e\n\u003cli\u003eThis Can't Be Love\u003c\/li\u003e\n\u003cli\u003eThou Swell\u003c\/li\u003e\n\u003cli\u003eMy Romance\u003c\/li\u003e\n\u003cli\u003eWhere or When 9\u003c\/li\u003e\n\u003cli\u003eLittle Girl Blue\u003c\/li\u003e\n\u003cli\u003eGive It Back to the Indians\u003c\/li\u003e\n\u003cli\u003eTen Cents a Dance\u003c\/li\u003e\n\u003cli\u003eThere's a Small Hotel\u003c\/li\u003e\n\u003cli\u003eI Didn't Know What Time It Was\u003c\/li\u003e\n\u003cli\u003eEv'rything I've Got\u003c\/li\u003e\n\u003cli\u003eI Could Write a Book\u003c\/li\u003e\n\u003cli\u003eThe Blue Room\u003c\/li\u003e\n\u003cli\u003eMy Funny Valentine\u003c\/li\u003e\n\u003cli\u003eBewitched, Bothered and Bewildered\u003c\/li\u003e\n\u003cli\u003eMountain Greenery\u003c\/li\u003e\n\u003cli\u003eWait Till You See Her\u003c\/li\u003e\n\u003cli\u003eLover\u003c\/li\u003e\n\u003cli\u003eIsn't It Romantic?\u003c\/li\u003e\n\u003cli\u003eHere in My Arms\u003c\/li\u003e\n\u003cli\u003eBlue Moon\u003c\/li\u003e\n\u003cli\u003eMy Heart Stood Still\u003c\/li\u003e\n\u003cli\u003eI've Got Five Dollars\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478282249\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve","offers":[{"title":"Default Title","offer_id":51632025796839,"sku":"36012688","price":64.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4462589-3464897.jpg?v=1765560405"},{"product_id":"pre-order-miles-davis-complete-plugged-nickel-live-1965-vinyl-box-set","title":"Miles Davis - Complete Plugged Nickel Live 1965 [Vinyl Box Set]","description":"\u003cp\u003eThe most requested Miles Davis reissue arrives for his centennial in spectacular style. What began as a holiday residency at Chicago's Plugged Nickel Café became the crucible where the Second Great Quintet forged it's identity. Miles, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams delivered a masterclass in risk and invention, dismantling familiar tunes and rebuilding them on the fly. Producer Teo Macero captured every note across seven sets on December 22 and 23, 1965. Portions trickled out in the '70s and '80s, but only in the early '90s did Legacy (CD) and Mosaic (LP) reveal the full scope of seven and half hours of revelatory music-instantly hailed as one of the greatest live jazz recordings ever, earning the Penguin Jazz Guide's coveted \"Crown, \" and becoming pricey, secondary-market rarities. Now, 30 years later and six decades after the shows themselves, veteran fans finally get the repress they've demanded, and new fans get a chance to own one of the most mythologized live engagements in jazz history. This new 10LP edition mirrors the original sequence, cut from the high-res Mosaic masters and pressed on 140-gram black vinyl. Each LP comes in it's own newly designed jacket, housed in a gold foil-embossed slipcase box. The 44 page 12\"x12\" Smyth Sewn book includes rare Plugged Nickel photos and extensive new liner notes and track-by-track commentary by Syd Schwartz alongside Bob Blumenthal's original essay.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e*** LP1 - December 22, 1965 - 1st Set\u003c\/li\u003e\n\u003cli\u003eIf I Were A Bell\u003c\/li\u003e\n\u003cli\u003eStella By Starlight\u003c\/li\u003e\n\u003cli\u003eWalkin'\u003c\/li\u003e\n\u003cli\u003e*** LP2 - December 22, 1965 - 1st Set (cont'd)\u003c\/li\u003e\n\u003cli\u003eI Fall In Love Too Easily\u003c\/li\u003e\n\u003cli\u003eThe Theme\u003c\/li\u003e\n\u003cli\u003eDecember 22, 1965 - 2nd Set\u003c\/li\u003e\n\u003cli\u003eMy Funny Valentine\u003c\/li\u003e\n\u003cli\u003e*** LP3 - December 22, 1965 - 2nd Set (cont'd)\u003c\/li\u003e\n\u003cli\u003eFour\u003c\/li\u003e\n\u003cli\u003eWhen I Fall In Love\u003c\/li\u003e\n\u003cli\u003eAgitation\u003c\/li\u003e\n\u003cli\u003e`Round Midnight\u003c\/li\u003e\n\u003cli\u003e*** LP4 - December 22, 1965 - 2nd Set (cont'd)\u003c\/li\u003e\n\u003cli\u003eMilestones\u003c\/li\u003e\n\u003cli\u003eThe Theme\u003c\/li\u003e\n\u003cli\u003eDecember 22, 1965 - 3rd Set\u003c\/li\u003e\n\u003cli\u003eI Fall In Love Too Easily\u003c\/li\u003e\n\u003cli\u003eAll Of You\u003c\/li\u003e\n\u003cli\u003eOleo\u003c\/li\u003e\n\u003cli\u003e*** LP5 December 22, 1965 - 3rd Set (cont'd)\u003c\/li\u003e\n\u003cli\u003eNo Blues\u003c\/li\u003e\n\u003cli\u003eI Thought About You\u003c\/li\u003e\n\u003cli\u003eThe Theme\u003c\/li\u003e\n\u003cli\u003e*** LP6 - December 23, 1965 - 1st Set\u003c\/li\u003e\n\u003cli\u003eIf I Were A Bell\u003c\/li\u003e\n\u003cli\u003eStella By Starlight\u003c\/li\u003e\n\u003cli\u003eWalkin'\u003c\/li\u003e\n\u003cli\u003eI Fall In Love Too Easily\u003c\/li\u003e\n\u003cli\u003eThe Theme\u003c\/li\u003e\n\u003cli\u003e*** LP7 - December 23, 1965 - 2nd Set\u003c\/li\u003e\n\u003cli\u003eAll Of You\u003c\/li\u003e\n\u003cli\u003eAgitation\u003c\/li\u003e\n\u003cli\u003eMy Funny Valentine\u003c\/li\u003e\n\u003cli\u003eOn Green Do*** LPhin Street\u003c\/li\u003e\n\u003cli\u003e*** LP8 - December 23, 1965 - 2nd Set (cont'd)\u003c\/li\u003e\n\u003cli\u003eSo What\u003c\/li\u003e\n\u003cli\u003eThe Theme\u003c\/li\u003e\n\u003cli\u003eDecember 23, 1965 - 3rd Set\u003c\/li\u003e\n\u003cli\u003eWhen I Fall In Love\u003c\/li\u003e\n\u003cli\u003eMilestones\u003c\/li\u003e\n\u003cli\u003e*** LP9 - December 23, 1965 - 3rd Set (cont'd)\u003c\/li\u003e\n\u003cli\u003eAutumn Leaves\u003c\/li\u003e\n\u003cli\u003eI Fall In Love Too Easily\u003c\/li\u003e\n\u003cli\u003eNo Blues\u003c\/li\u003e\n\u003cli\u003eThe Theme ^1\u003c\/li\u003e\n\u003cli\u003e*** LP10 - December 23, 1965 - 4th Set ^1\u003c\/li\u003e\n\u003cli\u003eStella By Starlight ^1\u003c\/li\u003e\n\u003cli\u003eAll Blues ^1\u003c\/li\u003e\n\u003cli\u003eYesterdays ^1\u003c\/li\u003e\n\u003cli\u003eThe Theme\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198029412413\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Sony Legacy","offers":[{"title":"Default Title","offer_id":51632025862375,"sku":"35361597","price":239.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4463408-3464928.jpg?v=1765560405"},{"product_id":"pre-order-quincy-jones-great-wide-word-of-quincy-jones-lp","title":"Quincy Jones - Great Wide Word Of Quincy Jones [LP]","description":"\u003cp\u003eFor this project recorded in November 4 \u0026amp; 9, 1959, at Fine Recording in New York City, Quincy Jones assembled a large, top-tier big band. \"The Great Wide World of Quincy Jones\" comes at a time when Jones was establishing himself as arranger\/conductor and shows he as a bandleader capable of bringing together great soloists in fresh arrangements.\u003c\/p\u003e\u003cp\u003eThe tracks strengths is how Quincy Jones uses to arranger with distinctive voice: the album blends the energy and improvisational drive of bebop with the lush, layered textures and power of a large ensemble. A kind of polished professionalism balanced with adventurous soloists.\u003c\/p\u003e\u003cp\u003eThe album confirm that at that time Quincy Jones had not just technical skill in arranging and bandleading, but real artistic maturity.\u003c\/p\u003e\u003cp\u003eReleased in 1959, a momentous year for jazz in general - considering the seminal albums by Miles Davis and Ornette Coleman - \"The Great Wide World of Quincy Jones\" fits perfectly into the evolution of modern jazz: swing, big band tradition, and bebop complement Jones's broad musical sensibility.\u003c\/p\u003e\u003ch3\u003eGREAT WIDE WORD OF QUINCY JONES\u003c\/h3\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLester Leaps In\u003c\/li\u003e\n\u003cli\u003eGhana\u003c\/li\u003e\n\u003cli\u003eCaravan\u003c\/li\u003e\n\u003cli\u003eEverybody's Blues\u003c\/li\u003e\n\u003cli\u003eCherokee (Indian Love Song)\u003c\/li\u003e\n\u003cli\u003eAir Mail Special\u003c\/li\u003e\n\u003cli\u003eThey Say It's Wonderful\u003c\/li\u003e\n\u003cli\u003eChant of the Weed\u003c\/li\u003e\n\u003cli\u003eI Never Has Seen Snow\u003c\/li\u003e\n\u003cli\u003eEesom\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770024957235\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ermitage\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Ermitage","offers":[{"title":"Default Title","offer_id":51632034218215,"sku":"55599823","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4471470-3476072.jpg?v=1765560530"},{"product_id":"pre-order-dave-brubeck-time-further-out-miro-reflections-lp","title":"Dave Brubeck - Time Further Out (Miro Reflections) [LP]","description":"\u003cp\u003eDave Brubeck described this album as a \"jazz interpretation\" of Miró's painting used in first cover and as inspiration ties into a tradition of connecting visual art and jazz. The album did well commercially: it reached #8 on the Billboard 200 in the U.S., the single \"Unsquare Dance\" reached #74 on the Billboard Hot 100, Critics often view this as a strong follow-up to \"Time Out\", because it continues experimentation but with new textures, meters, and moods. Brubeck conceived of it as a kind of musical reflection of abstract art by structuring the album around increasing time-signature complexity (3\/4 up to 9\/8), He further pushed beyond what was common in jazz at the time for an exercise in how changing meter affects mood, feel, improvisation. Each piece is a standalone experiment, inspired by rhythms Brubeck heard while touring internationally. Released: November 1961, the album was recorded over two sessions in May and June 1961 at Columbia's 30th Street Studio in New York City with the sessions featured the \"classic\" lineup of the quartet, known for their cohesive sound and innovative approach to jazz.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt's a Raggy Waltz\u003c\/li\u003e\n\u003cli\u003eBluette\u003c\/li\u003e\n\u003cli\u003eCharles Matthew Hallelujah\u003c\/li\u003e\n\u003cli\u003eFar More Blues\u003c\/li\u003e\n\u003cli\u003eFar More Drums\u003c\/li\u003e\n\u003cli\u003eMaori Blues\u003c\/li\u003e\n\u003cli\u003eUnsquare Dance\u003c\/li\u003e\n\u003cli\u003eBru's Boogie Woogie\u003c\/li\u003e\n\u003cli\u003eBlue Shadows in the Street\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3770024957211\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ermitage\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Ermitage","offers":[{"title":"Default Title","offer_id":51632036053223,"sku":"55622151","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4471468-3476070.jpg?v=1765560560"},{"product_id":"john-coltrane-coltrane-lp","title":"John Coltrane - Coltrane [LP]","description":"\u003cp\u003eVinyl LP pressing. \"Coltrane\" is the John Coltrane's debut album as a leader, meaning this is the first time he was the primary artist, leading the session occurred just after his period with Miles Davis. Earlier in 1957, Coltrane had been fired by Davis (in April) over drug-related problems, then spent time in Philadelphia dealing with those issues. Musically, though his mature, iconic style was still developing, you can see him stretching: a real work with complex standards and original compositions, experimenting with phrasing and the form. Released in October 1957 (recorded May 31, 1957 at Van Gelder Studio in New Jersey) the album didn't make a major splash on release, Coltrane was still mostly known as Miles Davis's sideman and briefly as a member of Thelonious Monk's quartet. Prestige Records wasn't promoting him heavily; they were more focused on Miles, Rollins, and others. But what critics called \"first glimpse\" of Coltrane will be in future an important record valued as the document of his emerging sound, especially his work with harmony, phrasing, and that \"sheets of sound\" style that he'd refine later. 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This is an interesting lineup because it includes Jackson, Heath, Kay who are parts of the Modern Jazz Quartet, but here with Horace Silver (at that time closely associated with the nascent hard bop \/ bop movement). A true blend of lyricism and swing. Milt Jackson's naturally swinging vibraphone style draws from both gospel and bebop and he made the vibraphone take a decisive step forward, towards the absolute solo realisation of the instrument. 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His meant for years he couldn't legally play in nightclubs. By 1957, Monk regained his cabaret card and his career reignited. He took up a residency at the Five Spot Café in New York where this album was recorded on August 7, 1958: It was a heyday for Monk, with live interactions showcasing both his edgy, eccentric style and his band's ability to blend with his unique musical vision. It is an essential document of Monk's work in the late 1950s, along with Misterioso.\u003c\/p\u003e\u003cp\u003eThe records captures not just the music but the feel of a tight New York club -- glasses clinking, audience reactions, and a charged energy in the air. 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These industry vets gracefully spark fire on heavier tunes like \"The Scene\" and introspective delicacy on the ballad \"Nathaniel and Christine.\" Impex Records is delighted to bring you the newest incarnation of John McLaughlin's storied career, as he continues his quest for the sublime. Recorded \u0026amp; Mixed by Grammy Award Winner George Murphy at Eastcote Studios, London. Mastered by Chris Bellman at Bernie Grundman Mastering. 33rpm HQ-180g Vinyl LP pressed on Highest-Quality Vinyl at Record Technology, Inc. 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Over the past two years, whenever time allows, he's been paying regular visits to the studio of his friend, the guitarist and producer Elmer Ferrer. Away from the pressures of the commercial industry, Rich seized the opportunity to explore and expand the vocabulary of his instrument.'NYAEBA' took shape: written and performed entirely on the bass guitar. Rich drew inspiration from the many remarkable musicians he's supported as a bassist, or encountered in the richly multicultural music scene in his adopted hometown of Toronto. Throughout the album, the commitment to melody and story ensures that the technique, though prodigious, never overshadows the tale. Each tune was built up with multiple tracks in the studio, with no looping or sequencing involved. The sonic versatility on display is astounding, but the album retains the organic, intimate feel of a performance.This album will no doubt sit comfortably among the essential solo bass albums, showcasing what's possible on the instrument. While many solo bass records center the instrument itself, what's unique about Rich's approach is that he puts the composition and music first, using the electric bass as the vehicle. With a focus on texture, movement and melody, and a striking range of voices, this is not your average electric bass album.A1. UkudlalaA2. The Sum of Our TearsA3. Heart of a Lonely WomanA4. Nyaeba (The Griot)B1. Kalagala EbwembeB2. SowetoeiraB3. Turiyasangitananda - The Transcendental Lord's Highest Song of Bliss (A Meditation for Alice Coltrane)B4. 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The album turns the blues form into a framework for harmonic invention and rhythmic interplay. Each track reveals a different facet of his sound, from the open dialogue of \"Blues to Elvin\" to the assertive drive of \"Mr. Day.\" Beneath it's stripped-down surface lies some of Coltrane's most direct and vital playing of the Atlantic years. 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Tracks from this album are still on the top 10 streaming numbers for Xploding Plastix. Now, the full tracklisting from the album is finally presented on a deluxe double vinyl version, with 6 bonus tracks!With their mixture of obscure jazz-samples, cool beats, melodic feel, an 'anything goes'-mentality, and quite a bit of humor, Xploding Plastix created their own unique style. A kind of older Amon Tobin meets Scott Walker on a smoke-filled sleazy jazz-club. Throw in an exquisite taste for film-noire, and we are getting closer. This is Balearic beats, lo-fi, simply sweet!NME wrote: 'Meanwhile, over at Jam, Norwegians Xploding Plastix - two nutcases with lots of small boxes and a terrible name - are offering upheaval of a different kind. Theirs is a big, disorienting future-jazz racket, splicing DJ Food's mad drums, Aphex Twin's time signatures and The Herbaliser's moodiest, cinematic bits. 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Over the past two years, whenever time allows, he's been paying regular visits to the studio of his friend, the guitarist and producer Elmer Ferrer. Away from the pressures of the commercial industry, Rich seized the opportunity to explore and expand the vocabulary of his instrument.'NYAEBA' took shape: written and performed entirely on the bass guitar. Rich drew inspiration from the many remarkable musicians he's supported as a bassist, or encountered in the richly multicultural music scene in his adopted hometown of Toronto. Throughout the album, the commitment to melody and story ensures that the technique, though prodigious, never overshadows the tale. Each tune was built up with multiple tracks in the studio, with no looping or sequencing involved. 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