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At a time before the 'even-tempered' system of tuning homogenised the spaces between different intervals - some of them being narrower or wider than others in what is known as 'mean-tone' temperament - composers such as Buxtehude might exploit those idiosyncrasies to produce harmonies which were deliberately awkward or dissonant. Manuel Tomadin has chosen the Praeludium in E BuxWV141, the Praeludium in F sharp minor BuxWV146 and a chorale prelude, Nun bitten wir den heiligen Geist BuxWV208, to illustrate this point. The most unfamiliar name here is Johann Heinrich Buttstett (1666-1727) - Capellmeister in the central-German town of Erfurt - who defended conservative theories of musical evolution as a writer and teacher, but also produced works which sound quite radical for their time, such as an extensive Praeludium and Canzona in D minor.JS Bach is represented here by a pair of organ preludes and fugues (BWV534 in F minor and BEV547 in C major) from his Weimar period - relatively early in his career, but no less experimental for that. The search for harmonic extremes was continued by the most radically inventive of his sons, Carl Philipp Emanuel, and Manuel Tomadin demonstrates this continuity with the chorale prelude 'Ich ruf zu dir'. A fascinating and unique collection, performed on the authentic and historically significant Hinsz organ of 1738 at the Broederkerk in the Dutch town of Kampen.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758977081\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.15.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":51833046434023,"sku":"123403845","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4498120-3540815.jpg?v=1772561201"},{"product_id":"pre-order-ensemble-mark-rothko-fano-str-quartet-pno-quintet-cd","title":"Pre-Order: Ensemble Mark Rothko - Fano: Str Quartet \u0026 Pno Quintet [CD]","description":"\u003cp\u003eA luscious pair of late-Romantic chamber works by a little-known pupil of Giuseppe Martucci, in new recordings by an Italian ensemble with a notable track record of success in reviving such rarities. Born in 1875, Guido Alberto Fano emulated the model of his teacher Martucci in pursuing a multi-faceted career as composer, conductor, pianist and teacher. At the age of 30 he became director of the conservatoire in Parma before transferring, in 1916, to the Sicilian city of Palermo. A year later he wrote this powerful and turbulent Piano Quintet, which sets out in a broad, contented and Brahmsian vein of expression before venturing into more troubled and chromatically contemporary harmonies, to which a finale brings resolution via a noble chorale theme. At the Quintet's climax, this theme soars over the texture on a solo trumpet, in a stroke of instrumental imagination which anticipates Honegger's Second Symphony by two decades - and indeed the 45-minute Quintet has the dimensions of a 'veiled symphony' in the manner of Brahms's early chamber works and sonatas. Wistful, major-minor Brahmsian motifs and harmonies still permeate the String Quartet which Fano composed in 1941 - another distinctively 'wartime' work - but whether through age or experience they are suffused with a late-style radiance which brings the style of the Quartet closer to Richard Strauss and Debussy. The Ensemble Mark Rothko is a flexible line-up of Italian musicians who specialising in reviving forgotten chamber works of the late 19th and early 20th century. Their discography includes albums dedicated to Mario Castelnuovo-Tedesco, Heitor Villa-Lobos and Karl Weigl, and this collection of Guido Alberto Fano marks their debut on Brilliant Classics.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758977579\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.15.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":51833047777511,"sku":"123405594","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4498121-3540816.jpg?v=1772561222"},{"product_id":"pre-order-trio-kanon-shostakovich-complete-works-for-pno-trio-cd","title":"Pre-Order: Trio Kanon - Shostakovich: Complete Works For Pno Trio [CD]","description":"\u003cp\u003eDmitri Shostakovich (1906-1975) stands as one of the most compelling and complex composers of the twentieth century. Living and working in the Soviet Union, he was constantly caught between personal artistic expression and the demands of a highly restrictive political system. His music often reflects this tension, combining sharp irony, deep tragedy, and moments of bleak humor. Among his chamber works, the two piano trios hold a special place, offering an intimate window into his emotional world at two very different stages of his life.Shostakovich's Piano Trio No.1 in C minor, Op.8, was composed in 1923, when he was only sixteen years old. Despite his youth, the trio already shows remarkable maturity. Written in a single movement, it reveals a lyrical and introspective character, strongly influenced by late Romantic traditions. Long, singing melodies and rich harmonies dominate the work, especially in the piano part. More than twenty years later, in 1944, Shostakovich composed the Piano Trio No.2 in E minor, Op.67, one of his most powerful chamber works. Written during World War II and dedicated to the memory of his close friend Ivan Sollertinsky, the trio confronts themes of death, grief, and suffering. It's four movements range from haunting stillness to violent intensity. The final movement is particularly striking, incorporating Jewish musical elements that suggest both mourning and bitter irony, possibly alluding to the atrocities of the Holocaust.Also included are the 7 Romances on Poems by Alexander Blok, a vocal cycle for soprano, violin, cello, and piano in which each piece explores a different instrumental combination - from duos to the full ensemble. In these Romances, music becomes inward speech - whispered, often suspended over silence. Blok's poems, filled with dreamlike visions and disturbing symbols, become the very fabric of the composition: each word, each image, finds it's sonic counterpart in a language of subtle timbres, controlled dissonance, and unresolved tension. The result is a cycle of miniature music-theatre scenes in which the voice and instruments do not merely accompany, but engage in dialogue.Played with great intensity and commitment by the Trio Kanon and soprano Irina Dubrovskaya.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758969321\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.15.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":51833048891623,"sku":"123432689","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4498118-3540813.jpg?v=1772561239"},{"product_id":"pre-order-christine-road-to-ruins-cd","title":"Pre-Order: Christine - Road To Ruins [CD]","description":"\u003cp\u003eChristine unveils in March 2026 her new album Road To Ruin, a dark, cinematic electro journey driven by powerful analog synths and meticulous production.Anchored by previously released singles, including \"Noize After Dark, Pt. 2\" and \"Catharsis Resurrection,\" the album explores the night as a space of tension, emotion, and transformation.Blending retro-futurism, dark synthwave, and narrative sound design, Christine asserts a strong artistic identity.Road To Ruin offers a dense, aesthetic, and immersive sonic journey, designed equally for listening and live performance.A coherent conceptual album that cements Christine's place in the French electronic music landscape.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoad To Ruin\u003c\/li\u003e\n\u003cli\u003eShadowwws ft. 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Despite being of humble origin he quickly rose to great eminence, becoming a personal friend and court composer of Frederick The Great, living happily at the sumptuous Potsdam court for 32 years, where he produced hundreds of works for the flute, playing them on the specially devised instruments that brought out their particular melodic beauty.Quantz writes about the ideal instrument: \"In general the most pleasing tone quality (sonus) on the flute is that which more nearly resembles a contralto than a soprano, or which imitates the chest tones of the human voice. You must strive as much as possible to acquire the tone quality of those flute players who know how to produce a clear, penetrating, thick, round, masculine, and withal pleasing sound from the instrument.\"Benedek Csalog: \"The present CD series, which seeks to record some 200 extant sonatas, employs modern copies of Quantz's instruments, most at this lower pitch. Through these, together with the applied performance style and technique, we hope to demonstrate convincingly the uniqueness of the Quantz flute, and the necessity of using such instruments to reveal the true character of his music.\"The Hungarian baroque flute player Benedek Csalog, winner of most prestigious early music competitions, among others Concours Musica Antique, Brugge (Belgium), graduated at the Royal Conservatoire of The Hague in the class of Barthold Kuijken. He has been performing as a soloist in most of the European countries, Japan, North and South America, and the Middle East. He was a guest artist at major festivals, such as Utrecht Early Music Festival, Festival van Vlaanderen, Stockholm Early Music Festival, St. Petersburg Early Music Festival, etc. He played with iconic artists such as William Christie, Sigiswald Kuijken, Barthold Kuijken and Emma Kirkby as his partners.On these 2 CDs Benedek Csalog is partnered by Dora Petery and Fanni Edocs on the harpsichord.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5063758970990\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Brilliant Classics\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.15.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Brilliant Classics","offers":[{"title":"Default Title","offer_id":51833049972967,"sku":"123424926","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0625\/2481\/7639\/files\/4498119-3540814.jpg?v=1772561257"},{"product_id":"pre-order-matthias-hofs-say-kerschek-trumpet-double-cons-cd","title":"Pre-Order: Matthias Hofs - Say \u0026 Kerschek: Trumpet Double Cons [CD]","description":"\u003cp\u003eThe renowned trumpeter Matthias Hofs performed and then recorded the concertos by Fazil Say and Wolf Kerschek during his artist residency with the Munchner Rundfunkorchester.? Both concertos were originally written for Matthias Hofs?. Fazil Say is one of the most important and successful contemporary pianist and composers whose works continue to reach a wide audience?. Wolf Kerschek is a Hamburg composer, arranger, conductor and jazz musician as well as a professor of jazz theory, composition and film music. 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In this edition, Christian Zacharias brings every intimate and exuberant moment to life with unparalleled sensitivity. Listeners will be captivated by the lyrical depth and poetic nuance of each movement.ClarityRecorded in the historic Salle Metropole with MDG's signature audiophile approach, this release delivers an immersive, natural sound. Newly remixed and mastered for Super Audio CD, every note resonates with clarity, depth, and spatial precision. The result is a listening experience that feels both immediate and timeless.SynergyZacharias' long-standing partnership with the Orchestre de Chambre de Lausanne shines throughout these performances. The orchestra provides an attentive, finely balanced accompaniment, allowing the pianist's interpretation to flourish. This synergy transforms every passage into a vivid, emotionally engaging musical dialogue.LegacyOriginally recorded in 2003, this edition preserves the freshness and brilliance of the original sessions. It is a milestone in MDG's Preziosa series, offering a rare combination of historical insight, artistic excellence, and technical mastery. 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Comprised of seven solo flute pieces, the album offers a concentrated snapshot of Deák's musical world-one shaped by classical training, experimentation, improvisation, and folk influences.The project began taking shape in 2021, as Deák moved away from the polished ideals of classical performance toward a more personal and exploratory approach. Early fragments only revealed their meaning in front of an audience, whose responses encouraged her to continue developing the material. With over 15 years of musical experience, Deák combines technical precision with a willingness to embrace vulnerability and chance.Breathing lies at the heart of Brisk. More than a functional necessity, it becomes an expressive and structural force. Through close listening, breath feels tactile and intimate, placing the performer almost within reach. Techniques such as circular breathing, overblowing, harmonics, singing while playing, and wind tones allow the flute to unfold into multiple voices, while percussive key clicks provide a steady rhythmic pulse.Deák foregrounds sounds often excluded from classical music-breathy tones, unstable pitches, squeaks, and audible inhalations-treating them as essential expressive tools. This focus reflects her long-term exploration of the flute's physical and expressive limits and connects directly to her ongoing solo practice, The Breathing Project, of which Brisk is a distilled release.Active across classical, contemporary, jazz, and experimental scenes, Deák has collaborated with ensembles including Konstmusik-systrar and the VENI ensemble, and performed at festivals such as Norbergfestival and Ung Nordisk Musik.Across it's seven pieces, Brisk balances immediacy and rigor, inviting focused listening while remaining open and bodily. 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This highly anticipated set, featuring high-quality audio and multi-camera footage from that January 2023 show, will be available in early 2026, offering fans a chance to relive one of the band's most memorable nights.To mark the 42nd anniversary of their formation in 1981, Mad Butcher reunited for a triumphant concert at Resonanzwerk in Oberhausen on January 28, 2023. Drawing a passionate crowd of longtime devotees and new enthusiasts alike, the band delivered a powerhouse setlist brimming with timeless classics and unexpected gems. The performance underscored the enduring legacy of a group that has long been revered as trailblazers in the German heavy metal scene.Captured with audio sourced directly from the soundboard and dynamic multi-camera video, this CD+DVD edition preserves the raw energy and intensity of the event. It serves as a testament to Mad Butcher's influential role in shaping the genre, having shared stages with iconic acts such as SODOM, HELLOWEEN, SLAYER, and EXODUS during their original run from 1981 to 1992.Formed in Essen in 1981, Mad Butcher helped shape the German heavy metal scene. Their debut album, Metal Lightning Attack (1985), is a landmark of speed metal, blending aggressive riffs with themes of violence and metal, followed by their second album, Metal Meat (1987), cementing their place in the vibrant German scene. 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Their sound? A merciless onslaught of classic heavy metal fused with the razor-sharp aggression of American power metal: galloping riffs that crush skulls, vocals that command obedience, and rhythms that thunder like the genre's golden gods reborn. Lyrics dripping with betrayal, revenge, social gut-punches, and the unbreakable triumph of metal itself - Blacklyst speaks straight to the diehards, no matter the era.Now, Lost Realm Records proudly resurrects the beast with Living On The Edge - The Demos: the first-ever official collection of Blacklyst's savage demos, spanning 1990 to 2004. This isn't polished nostalgia... It's a time capsule of pure underground fury that comprises: 1990 studio assaults from the band's chaotic, lineup-shifting dawn; mid-90s demos produced by Eric Wagner (from the legendary band TROUBLE), recorded during a dark period for traditional heavy metal, and early 2000s comeback recordings, with a new line-up.From the peak of their classic full-length album Liars, Killers And Master Thieves (1991) to every unreleased sonic riff in between, Living On The Edge - The Demos revives these forgotten Chicago metal heroes in all their unfiltered glory. If demo grit makes you flinch, then this release isn't for you. 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