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Chopin's primary means of expression-the language with which he expressed everything he wanted to say-was his melody: the most beautiful kind known to man. For Chopin, however, this melody was more than that; it was a reflection of reality, behind which lay a real image or event. Heinrich Neuhaus pointed out the autobiographical character of Chopin's oeuvre. And it is precisely this autobiographical character that has helped countless people find themselves in their own biographies. This explains the immense popularity and universal appeal of his works, which are cherished all over the world. 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Thomas' original works use the elegant Romantic style of his own day, but he often drew on Welsh folksong for his inspiration and left a generous legacy of transcriptions, especially of operatic favourites. 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A student of Olivier Messiaen, Castérède nonetheless forged a highly personal harmonic style within an extended tonal idiom, characterized by melodic clarity and accessibility. His compositions seem to harmoniously blend the various French styles of the 20th century. In his work, we hear the sonic fingerprints of Arthur Honegger, Daniel-Lesur, and his teacher Messiaen - all woven into a coherent, lyrical whole.Throughout his life, André Jolivet aimed to \"restore to music it's original, ancient meaning, when it served as a magical, incantatory expression of the religious beliefs of human communities.\"* His later compositions continued this exploration, seeking music's original function as an emotional, ritualistic, and celebratory form of expression. His Symphonie pour cordes, commissioned by French radio and television, was composed in 1961 and premiered on January 9, 1962. The symphony demands exceptional technical skill from all performers. It is written in a freely atonal idiom and is characterized by intense dissonance.Daniel Jean Yves Lesur (1908-2002) was a French composer, organist, and teacher, closely linked to the group La Jeune France, alongside Olivier Messiaen and André Jolivet. His music often reflects a balance between tradition and modernity, combining rich harmonic language with a sense of spiritual depth. Lesur's output includes choral works, chamber music, and orchestral compositions, yet he remains less widely known than some of his contemporaries.Among his instrumental works is the Sérénade pour cordes (1949), a luminous piece that highlights his lyrical style and refined craftsmanship. 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As composerand arranger he has taken part in dozens of projects and recordings, many of which were released by the label Animal Music.The new album brings a recording of a concert performance featuring the Prague Radio Symphony Orchestra, which took placeas part of the jazz-symphonic crossover series New Horizons in February 2025 in the DOX+Multifunction Hall in Prague.Composed on a commission from the orchestra, the work formally resembles a suite in three parts. It is performed, however, asa continuous flow of music. In the author's own words, the piece \"is an attempt to evoke a story that reflects my own planetaryexperience. The rotating ball in the title is a geoid, the shape of our own planet.\" Combining composed music with improvisation,the piece bears traces of Barta's original style, known for example from his work for Vertigo or Muff. 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