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A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a factfinding trip to Sound City Studios. The backstory behind Fleetwood Mac's self-titled album is nearly as incredible as the music on the 1975 recording - a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.Sourced from the original analog master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set of the nine-times-platinum effort plays with reference level transparency, dynamics, and detail. This vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band's bond as well as healthy tension that led to recordings that remain revered for their exceptional openness, textures, imaging, and soundstaging. Listen to this collectible version and you'll immediately understand why.1\/4' \/ 30 IPS Dolby A analog master to DSD 256 to analog console to latheNumbered Limited Edition UD1S180g 45RPM 2LP SetNUMBERED LIMITED EDITION OF 7,500Mobile Fidelity UltraDisc One-Step ProcessInstead of utilizing the industry-standard three-step lacquer process, UltraDisc One-Step (UD1S) uses only one step and bypasses two processes of generational loss. 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This is the band's first release in four years and is a collection of singles, unreleased demos, and rarities.\"I lived in a four-bedroom house in San Francisco that housed anywhere from six to ten people at a time,\" Moothart explains. \"Friends were always crashing when they were between spots, on tour, or just couldn't make it home. It was a chaotic space, but a space that was cherished by many. Chad frequently crashed on our couch when on tour-surrounded by ashtrays full of cigarettes and joint roaches; beer cans and spray paint cans.\"I remember jamming on guitar and drums with Ty at like 2 AM in the garage (still feel bad for putting the neighbors through that.) One day, under Ty's guidance, I dragged a 388 in to the garage. I decided I wanted to write a Sabbath-style riff just to see what happens. I laid down some drums, then came up with what would become \"Fuzz's Fourth Dream.\".I showed Ty the 'demo' which was more of a sloppy idea. 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