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Ten powerful early hard rock brain benders, primal energy exploding sideways out of the ash heap of '60s idealism, rocking the darker side of human nature in style! Raw and unfiltered, no compromise, blasting gnarly sound perfectly sequenced to take you on one helluva ride! Territory populated with dicey characters, perilous women, predators, bad relationships... anti-social alienation delivered with smoking guitars, real people ripping it with no self-defeating namby-pamby finesse sabotaging their brutal energy. Every track sounds fresh today because Brown Acid is the real deal when it comes to what matters in music... communication! Life itself sonically sneering across time! Opus Est - \"Maggie Johnsons\" kicks it right out of the gate, taking only a minute and a half to do you in with brash proto punk attitude. Tight and savage riffing shifts gears with an ascending backup vocal hook right out of the twilight zone. The singer sounds disoriented, he can't get away from Maggie quick enough! Power trio from Belgium in 1974 nail it to the wall and then the whole building collapses. Freedom North - \"Losing You\" seamlessly alternates gutsy female vocal ranting with trippy floating guitar passages. Singer Franki Hart sounded psychedelic dreamy on their debut 45 \"Doctor Tom\", here she sounds like her throat is gonna fly right into your face. Gnarly lead, harsh dry metallic guitar sound, score one for the ladies here, the dude's a loser and she dumps him. Canadian band from 1970 cranked out four singles and an LP that year... this is their killer. Accents - \"Friendly Stranger\" serves as an ominous warning for the girls. That seemingly charming guy you just met may be more Ted Bundy than Romeo... do not get in his car! Gushy organ, dark buried fuzz guitar, terrific post-psych catchy vocal arrangement. The band formed in Rhode Island in 1966 and cut this dark killer in 1969 in L.A. issued on the Gazzari label, associated with the legendary rock venue. Brother Love - \"Rock N Roll Band\" takes the popular theme of being on the road to a new prequel type zone, the guy is headed to New Orleans to start up a band. Great details about wieners and beans, limousines and Cajun Queens, terrific fuzz riff groove like a sideways blend of \"Satisfaction\" with \"Jumping Jack Flash\"... best move is the innovatively crude way the lead guitar works a Chuck Berry approach into new territory. Trio led by the Pettito brothers out of Cleveland circa 1970. Perfectly placed break from the darkness on the previous tracks. River Styx - \"Bike Writer\" out of Beverly, New Jersey in 1971 gets right back to woman trouble with lyrics as mysteriously inscrutable as the bizarre song title. Non-stop acidic fuzz guitar action all thru, weaving around but coming in for nasty little bites at just the right time. 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Fab primitive guitar lead rides you out and any song with the phrase 'Nagasaki perfume' in it is speaking my language! Left-field 1970 winner out of Newark, Delaware on the Dwikey label. 29.9 -\"You Got Me Floating\" takes the Hendrix song deep into the garage. Way loose vocal, serendipitously crude guitar add to the vibe in a way no virtuoso could top. Led by the Harrison brothers John and Doug out of Pittsburgh but recorded in late 1969 at a band communal party house in Wellesley Hills, Massachusetts. John later scored films for George Romero, and used 29.9 track in his own horror classic \"Effects\". Wakefield - \"Here I Am\" is a mini-epic with rudimentary progressive rock moves Sioux Falls, South Dakota style from 1979. Opens with a slinky start and stop stalking groove, vocal has the singer up on the stage but feels like a cage, the crowd isn't really getting where he's coming from. 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Guaraldi passed away on February 6, 1976, the day he recorded this wonderful music, at the age of 47. The Trio features Seward McCain (bass), and Jim Zimmerman (drums), who were with Vince when he passed away in Menlo Park Ca. The special aired several weeks later on CBS 3-16-1976.\u003c\/p\u003e\u003cp\u003eBoth specials were written by Charles Schulz, and produced by Bill Melendez and Lee Mendelson. \"Arbor day\" was directed by Phil Roman and Melendez and \"All Stars\" was directed by Melendez.\u003c\/p\u003e\u003cp\u003eAvailable for the first time ever on forest green BioVinyl. The record was mixed and mastered for audiophiles, jazz lovers, and Peanuts fans everywhere. Clark Germain mixed \"Arbor Day\" at WonderWorld Studio, Vinson Hudson restored and mastered the record including \"All Stars\" and Sean \u0026amp; Jason Mendelson produced the record. The gatefold edition includes a 6-page insert with art from the special, liner notes by Sean \u0026amp; Jason Mendelson, and Derrick Bang (author of \"Vince Guaraldi at the Piano\").\u003c\/p\u003e\u003cp\u003eThe record is made out of BioVinyl to reduce carbon footprint, with sustainably forested paper and in a compostable PLA bag. In 2026, for every copy of this record sold, LMFP will contribute $1.00 to the Arbor Day Foundation, with a minimum annual donation of $12,000 leading to the planting of one tree is a forest of need. 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Brown Acid dose # 22 drops, continuing to fry your mind in a revolving trap-door Twilight Zone alternate world of early hard rock... populated by real life characters so far out they can look like a cheesy wedding band but sound like Blue Cheer! Uncanny! This music comes at you from many angles. Teens in a garage colliding with booze, drugs and girls for the first time, lounge lizard hustlers with snazzy stage clothes and fuzz boxes... gnarly backwoods troublemakers meet blow dried glam rock wannabes here, seamlessly clobbering your head with sound rather than each other! An electric post-psychedelic bar brawl for your mind awaits, unfasten your seat belt, crank it up and fly! 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Riverside \"Farmer\" explodes out of Austin, Texas 1974, economical but brilliantly structured riffs and power chords, intense dynamic tension\/release, fantastic screaming leads over shifting angles of attack during the middle break... it's all here with a detached confidence in the vocal that swaggers back in time to the late '60s in it's proto-heavy psych adjacent assault. Cincinnati Joe \u0026amp; Mad Lydia \"Get It Together\" for real in Cincinnati, Ohio 1970. The song says everything you need to know: \"You may think that you're the very best, miles and miles ahead of the rest, but be sure when you're put to the test you get it together!\" These words are deployed in a manner similar to Peter Green's \"Oh Well\", intermittently stated between killer gnarly guitar and gushy organ attacks. Bar band heaven and hell rolled up into one big ball, the vocals get all the way out there! Straight Up \"Fire\" takes the monster 1968 Crazy World Of Arthur Brown hit into faithfully executed but surreally minimalist territory, Minneapolis, Minnesota 1974. Genius version of a key song that presciently cuts to the chase regarding Brown Acid's incinerations of psychedelic idealism, you're gonna burn, burn, burn... as that moment climaxes you can gawk at their preposterous flashy lounge band stage outfits and realize side one must end because everything is totally scorched into eternity. Scrap Iron \"Poopsie\" is a primitive two chord stomper with spiraling fuzz and organ riffs, singer marking his territory caveman style. \"Poopsie, you're my woman\" he commands, but gets weirdly insecure she'll blow him off at the altar by the end of each verse. Snarly wah-wah ices this toxic cake out of Carteret, New Jersey 1973. Focused delivery so single-mindedly crude it creates an inescapable instant brain-worm. Lady \"Live Show Tigers\" is amongst the most potently life affirming trash rockers you'll ever hear, one outrageously triumphant but fiercely sloppy anthem about living it up like a star, strutting the stage glammed up New York Dolls drag style but with a Dictators sense of humor. Tasty slightly off kilter guitar leads all through, going serendipitously berserk on the fade. Picture disc single out of L.A. 1980. Fantastic fun rock star rock at a very raw local street level where any time is party time. Killer Frog \"Hard Times\" on Masochist Records from Chicago, Illinois 1972 takes less than two minutes, an action packed James Gang style bar band rocker with a bit of punky sneer in the face of misfortune. These guys never even heard of flower power. They are killer frogs. Good Humore \"Killer\" does kill in stripped down hard rock trio style, Warren, Michigan 1976. No frills guitar, bass and drums groove tight, snaky primordial riff, snarly licks. \"She's a killer of a woman, knows just what she's doing...\" The singer knows she's a femme-fatale roadhouse predator but she's so hot the inevitable wreckage seems a bargain. Ride it out like the extended jam on the fade knowing she'll be back for more! Sarawest \"Space Rider\" winds up the 22nd Trip lost in a twisted two chord space adventure from the point of view of an alien visiting our planet seeking knowledge but finding out we are stupidly destroying ourselves, so he gotta split sneering back at us like we wasted his time \"I got no time for loving... I wanna be a space rider, space rider\". 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